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Final Cut Pro 1.2.5 Advanced |
| Product Description : Virtual Training Company's Final Cut Pro Advanced tutorial is a more in-depth look at Apple's non-linear editing application. This tutorial is for those who have a working knowledge of Final Cut Pro and have completed at least one editing project from beginning to end, and especially those who have taken the first VTC Final Cut Pro tutorial. Author James Monohan expands on topics covered in the first FCP tutorial, such as importing audio. He guides you through more specialized topics and covers new information, such as working with reference movies. You can begin learning now by clicking one of the topics below. |
Final Cut Pro 1.2.5 AdvancedIntroductionAbout this CDAdvanced Editing Advanced Digital VideoCodec AlternativesWorking with DV Toolkit Addendum to DV Toolkit Using Auxiliary Timecode Advanced System Set-upChoosing DrivesPartitioning Drives Audio Set-up Vectorscopes Revisited Footage/Effects Resources Updating Your SystemUpdating OS and QuickTimeUpdating FCP Rendering in YUVRGB vs. YUVSetting Preferences Capturing/Importing MediaCamera/Deck CompatibiityFire Wire Protocols Non-Firewire Deck Control Another glance at CD Import "Preview Disabled" Messages Converting DV a lower compression DV at low Res part 2 DV at Low Res Part 3 Working with 16:9 FootageWorking with 16:9Capturing 16:9 Item Properties 16:9 Sequence Settings Viewing 16:9 Media Mixing 4:3 and 16:9 Footage Making 16:9 letterbox on normal monitor Make Reference MovieUsing Reference MovieBatch Export Reference Movie Media ManagementCache ManagerUndoing a lost render Sequence Trimmer Issues Using Media Mover Using Relink Use the Finder when necessary Maintaining SynchronizationSyncing A/V on Dual System ProjectsKnowing When to Use "Link" Knowing When to Use Linked Selection The Slip Tool and Fixing Sync Using Slip and Markers Using "Auto Sync Compensator" Editing in the TimelineSelect In to out/Mark SelectionSelect in to Out Example Mark Selection In out to out Working with Target Tracks Using Lift Advanced Locking tracks Using Extend Edit Using Trim buttons Creating Macros/ QuicKEYS Cutstom Layout Editing in Trim ModeEntering Trim Mode 1Entering Trim Mode 2 Enter Trim Mode 3 Selecting sides of cuts Playing to your edit point Trimming on the Fly EDLsEDL capabilitiesMore EDL issues Importing EDLs Film Logic and Film Projects Audio EditingMake Stereo PairAudio Rendering Mixing Down Audio Exporting Audio Tracks fo Onlining Flattening Tracks Audio Filters: A Brief SummaryAudio Filters3 Band Equalizer Hum Remover Band Pass Filter/Notch Low/High Pass Low/High Shelf Parametric EQualizer --- Expander/Noise Gate DC Notch Echo/Reverberatoin NestingUsing NestsFor Transitions on more than one track Loading a Sequence into Viewer Nest a Sequence in a Sequence Closing Sequences KeyframingFast Keyframe NavigationUsing Acceleration Compositing: Working with FiltersApplying filters to multiple clipsPaste Attributes Fx Scripts Composite Modes Compositing: Mattes and Masks8-point and 4-point Garbage MatteTravel Matte - Alpha Travel Matte - Luma/Gradient Mask Using Image Mask Using Matte Choker Compositing: Key FiltersBlue and Green ScreenColor Key Spill Suppressor Luma Key Difference Matte Common FXStill images and Motion ControlCreating a Widescreen Flash Frames FX Scripts TitlesCutting down on Render times.Avoiding Render Artifacts/Illegals 3D Text recommendation Third Party Software: After EffectsExporting from FCP into AEExport from AE into FCP Using After Effects Filters Third Party Software: PhotoshopExporting stills into photoshopImporting Still from Photoshop Creating Credit rolls with Photoshop Credit Roll Continued Third Party Software: CommotionExporting to CommotionImporting from Commotion Troublespotting import of Commotion Clips Exporting to the WebCapabilitiesStreaming Templates TroubleshootingDropped Frames: Some SolutionsDropped Frames: More Solutions Type 2 and General Errors Zapping the pram System Crashes ResourcesBooks on Editing TechniqueWeb Site Resources Thanks |
