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Audio Recording and Production |
| Product Description : |
Audio Recording and ProductionVTC's Audio Recording and Production covers the basics of recording without leaving out advanced and interesting features. It covers topics such as the history of analog and digital recording, studio equipment, acoustics and studio design, waveforms and synthesis, MIDI, signal flow and routing, digital audio and editing, microphones types and usage, equalization, dynamics and compression, reverb and time-based effects, mixing, mastering, and the integration between the project and professional studios. This tutorial will give any novice recording engineer the tools, techniques, and knowledge to effectively record and produce professional sounding projects. To begin learning, click on one of the movie topics.
IntroductionIntroductionCourse Methodology History of AudioAnalog Recording pt. 1Analog Recording pt. 2 Digital Recording pt. 1 Digital Recording pt. 2 Home Studio Revolution Workstations / EquipmentDAWAudio Interface Mixing Console/Preamp Microphone Headphones Studio Monitors MIDI Controller Computer Hard Drives Software Programs Mac vs. PC Room Design / AcousticsAcoustics Basics pt. 1Acoustics Basics pt. 2 Acoustics Basics pt. 3 Programming Problems and Solutions Songwriting / ProducingSongwriting pt. 1Songwriting pt. 2 Arranging Recording Process Producing pt. 1 Producing pt. 2 SynthesisWavesSynthesizers Oscillators Filters Envelopes Modulation Types of Synthesis Sampling MIDIHistory of MIDIMIDI is a Protocol pt. 1 MIDI is a Protocol pt. 2 General MIDI Using MIDI in your DAW MIDI Recording MIDI Editing pt. 1 MIDI Editing pt. 2 Quantization Controllers Control Other Equipment Make MIDI Sound Real pt. 1 Make MIDI Sound Real pt. 2 Make MIDI Sound Real pt. 3 Signal Flow / RoutingSignal Flow vs. RoutingInsert Auxiliary Send and Return Distortion Digital Routing in Pro Tools Digital Routing in Logic Digital Routing in Reason Digital AudioDigital AudioNyquist Theory Recording Audio Latency Audio File Management Editing Audio pt. 1 Editing Audio pt. 2 Editing Audio pt. 3 Cue MicrophonesMicrophone TypesMicrophone Patterns pt. 1 Microphone Patterns pt. 2 Microphone Positions and Techniques Microphone Examples pt. 1 Microphone Examples pt. 2 Microphone Examples pt. 3 Microphone Examples pt. 4 Microphone Examples pt. 5 Microphone Examples pt. 6 DynamicsCompression Theory pt. 1Compression Theory pt. 2 Compression Controls Compression Limiting Gate Sidechain EqualizationEqualization Types pt. 1Equalization Types pt. 2 Equalization Examples pt. 1 Equalization Examples pt. 2 Time-Based EffectsDelayReverb pt. 1 Reverb pt. 2 Reverb Types Natural Ambience Chorus / Phase and Flanger MixingSetting Up The MixLevels and Panning Groups / Sub-Mixes and Busses Compression Techniques pt. 1 Compression Techniques pt. 2 Gating Techniques Equalization Techniques pt. 1 Equalization Techniques pt. 2 Reverb in Mixing Delay in Mixing Automation Mixdown MasteringPurpose of MasteringMastering Tools Mastering Techniques pt. 1 Mastering Techniques pt. 2 Authoring a CD Loudness Wars CD Authoring and Duplication ConclusionProject and Professional Studio IntegrationWrap Up About the Author |







